Whoooo-ie, it’s been a while since I’ve had a day “off” to check in with all y’all!Â I’m not dead. Or even ill. I have been suuuuper busy. I can’t promise that I’ll get back to writing with frequency, but I have made a concerted effort in the last 24 hours to dust off (figuratively) the inventory at Tiddleywink Vintage.
Speaking of Tiddleywink Vintage, some items have been noticeably stolen from the Shoppette. This does not bode well for the continued existence of said Shoppette, so if you’ve been putting off a visitâ€”and the rare ability to try on itemsâ€”then you’d best get over there before the current lease expires in August. I expected there would be some theft, but it has averaged, dollar-wise, about 30% of actual sales, and that’s more than I’d allowed for.
Speaking of Tiddleywink Design (close enough), good things are afoot. One regular client has given me an unexpected raise, which is flattering, inspires confidence, and is also so very useful. Raises make an excellent gift. And then there’s a brand new client (potentially; contract in the works) that is in for an excellent design piece, should they decide to go ahead with the proposed project. The ideas are flitting around in my head like butterflies. Beautiful, silky, sleepy butterflies. I know I typically focus on the production end of things, but print design still tickles my fancy when the client has, or at least desires, a vision beyond “I don’t know, what does everyone else do?” You would not believe how often I used to hear that, and that is one reason why it’s important to choose clients as carefully (hopefully) as they choose you.
Related: I was chatting with a colleague yesterday, and she put forth an idea about visually
testing interviewing clients before accepting a job. She was joking, but I think it’s an excellent idea. Not only will it red-flag designer/client head butting far in advance of any actual disagreement, but it also acts as a way of sussing out the visual style of a person who may have difficulty speaking in terms that us artsy-fartsy types use. I frequently ask clients to send me samples of what they like, even if unrelated to their specific needs, but I think many non-creatives feel overwhelmed by the request or quite frankly don’t know what they like and just send a random assortment of stuff in hopes of earning an imagined good grade. I’m paraphrasing here, but part of the discussion with my colleague went something like “I’m looking at a client’s submitted “mood board” and it makes me want to stab myself in the eye.”Â If we, as designers, take control of that task and ask the (potential) client to simply check boxes, it has the potential alleviate some undue stress on both ends.Â Maybe.
Also Related: I need a traffic manager. Can work remotely. Salary paid in baked goods. Or homemade ice cream.
Unrelated: I have TWO GALLONS of mango nectar, in two 1-gallon bottles. I’d intended to use them up making a series of delightful rum-based tropical drinks, but I don’t drink much and so haven’t gotten around to that. I asked (on IG and Twitter) for recipe suggestions, outlining that: I’d like to use up a GALLON of mango nectar before the open container goes fuzzy or vinegar-y, and I also noted that my household consists of only two people. The suggestions that I got, while all sounding tasty, mostly neglect to meet these confining restrictions. For instance:Â I’d have to make 448Â mango-lemon cupcakes to use up the gallon. I’ll experiment today with a mango sherbet (creamier than sorbet because, well, dairy) and some mango iced tea. That should neatly use up a quart, anyway. The best suggestion was to donate the nectar to a food bank, and I think the second gallon jug will go that route.
Upcoming Somewhat-Related Blog Post: Why I’m @ampersandwich on Twitter and IG, and @tiddleywink just about everywhere else.
Until next time!